Now and then: A look at Quinte’s music scene
BELLEVILLE – Longtime musicians and Eric Baragar and Michael Goettler have witnessed Belleville’s music scene go through peaks and valleys over their almost five decade-long tenure producing music from the Quinte region.
Goettler, 68 and Baragar, 69, were born and raised in Belleville and took to playing music at a young age, largely thanks to a blossoming scene of local bands when they were teenagers.
“When we grew up and wanted started a band, there were tons of other bands already in town,” says Baragar.
While Baragar and Goettler were still in high-school at Quinte Secondary, they formed a band called Sands of Time that would go on to reach significant national success.
“My brother, Dennis, got an invitation to try out for Sands of Time who was just starting out at the time. He wanted to use my amp and microphone for the tryout, so I tagged along and we both made it into the band,” said Baragar.
The band was organized of members Ted Elvins (guitar), Timothy Campbell (vocals, guitar), Al O’Hara (drums), Michael Goettler (bass) and Dennis and Eric Baragar (guitar). Sands of Time wasted none of the sort and played shows anywhere they could during their time in high-school.
“We played almost 250 times a year. The scene was so different, there were so many places to play,” says Goettler.
To this day, they are regarded as one of the youngest bands to ever tour Canada.
After playing more than twice a week for a couple years, Goettler says Ken Williams, the band’s manager at the time, (now a real estate agent in Belleville) presented Sands of Time with a groundbreaking recording opportunity.
“When we were 18, Ken Williams, our first manager, got us an audition for a record label. We recorded a single at RCA Studios in Toronto called ‘I’ve Got A Feeling.’ It made it all the way to number two on the Canadian charts in 1970.”
After their record label fell apart due to financial issues, Sands of Time separated in the early 1970’s, making them well-known as a one-hit-wonder band. Later on in the decade in 1977, Baragar and the rest of the former Sands of Time gang recruited vocalist Dan Thompson and began making music under the name Bentwood Rocker. Forty years and 11 studio albums later, Bentwood Rocker is still playing shows and releasing music in Belleville. Baragar has also invested heavily into recording, operating a sizeable studio out of his basement.
Baragar and Guettler attribute a lot of their success as musicians to the music scene four decades ago in the Quinte area. They say that the culture nowadays regarding local music has changed and that community engagement is what fuelled local artists in their time.
“Back then, live music was it. You went to go and see a band, that’s what you did for fun. Most people couldn’t afford records. High schools were such a important part of this. In fact, Belleville high-schools would rotate and take turns throwing gigs. That’s how much music there was, it was competitive. Today, there are hardly any live venues left to play new music at,” says Baragar.
Goettler was more blunt about the current state of the music scene.
“It’s pretty dormant.”
The bandmates place some of the blame for this stagnancy on the differences between their generation and young people today. Goettler and Barager are part of the baby boomer generation, where there were just simply more young people in the community:
“In our generation, there were kids everywhere. There was a large audience at all times for the music you were putting out, now, there are less people which means less music and less people to listen to your music around here.”
Baragar says that artists who write original music have it harder than cover bands when it comes to getting gigs. “Around here, venues don’t want you if you don’t play covers,” he says.
This area has produced notable talent. Avril Lavigne was born in Belleville and was raised in Napanee. The Wilkinsons, from Trenton, have had several Canadian hits. Arguably the biggest rock band in Canada right now, The Glorious Sons, are from about an hour away in Kingston and have played in Belleville at the Empire Theatre for Rockfest in 2018. Dozens of smaller artists have also made noise throughout their years in the region.
QNet News put two playlists together to showcase a wide variety of artists from the Quinte area, new and old:
https://open.spotify.com/playlist/4MgqjkO5xhPVkcEXPDoo4K?si=4e9HDSxgQkCzUbOU7Hj9Fw
https://www.youtube.com/playlist?list=PLF_QXxDDBtFG750KQaWFkt-2SKPKxjLWe
Andrew Wright, 24, singer and guitarist of Belleville’s The Enrights and a seasoned veteran of almost 10 years in the Quinte music scene, says that you may not have heard of many of these newer artists largely because local musicians don’t have as large a platform as they may have had in earlier years.
“There were around 20 active, young bands making original music in the area when I was in high-school,” says Wright. “Genres like post-hardcore, alternative and emo were big in the early 2010s. There would be 10 to 12 of those bands on one bill at Parkdale Community Centre. Because there were so many bands, if every band brought out a couple people to the show it would feel like there was a big audience.”
“Bands like Our Fiction, Hero For The Weak, Carpenteers, Theatria and bands that are bigger now like Long Range Hustle were bands that would play all the time,” says Wright.
Wright played in a handful of Belleville-based bands since he was 13. His first band, Iron Road, had their first show at St. Michael the Archangel Catholic School. Wright has also released albums and with his bands Music For Deaf People, Rabid Flowers, and currently, The Enrights. He also releases music under his own name. Multiple songs from The Enrights, as well as his solo song, “Knew You Best“, are featured regularly on 91xFM, Loyalist College’s campus radio station.
While Wright, in his adolescence, has released an abundance of music, he says that he’s an outlier of sorts. “There’s a lack of youth presence in the area … A big lack of young musicians making original music,” he says.
Bentwood Rocker and The Enrights have made music at very separate times in Quinte, but both say that today, Belleville’s music scene isn’t what it was in terms of artists creating original material: “In Belleville, there are quite a few cover bands, but very little in the amount of current bands producing originals. And nowadays, it’s easier than ever to produce decent music and to put it on a platform like Spotify,” says Wright. “There’s not a band that could be labelled as ‘Belleville’s band’, where I feel a lot of other cities have defining bands like that.”
Wright, often times, will resort to Kingston to play original sets. “We play The Mansion all the time in Kingston. They always have local bands or smaller Ontario bands playing with bigger, sometimes national bands. Belleville needs a venue like that, something more welcoming to new and local acts.”
He insists that local bands are an integral part of building culture in a city. “Music brings liveliness to a city and makes the place more fun, supportive and positive overall. Think of it like you’re supporting a small business when you go and see a local band,” says Wright.
The Enrights are gearing up to release a full-length album in 2020 with plans to record from Andrew Wright’s living room in Belleville.